on behalf of jordan chapman - his post:

There was nothing left. Everything was gone: the buildings were reduced to rubble; trees were stripped of their leaves. Telephone and telegraph poles were the tallest structures left—it was somewhat odd how resilient they were, how they withstood the blast. The streets—if you could call them that—were filled with the remnants of humanity. The wailing, disfigured creatures wandering around were no longer human: they were nothing less than monsters.

All of humanity died that day with the blast. Those creatures that were wandering around looking for food, water, and shelter were following their primal urges the blast brought back to them. Yes—humanity had died with the city—killed off indiscriminately, without malice, and without being any sense of justice about it, that was the paradoxical nature of this new world that had been created.

Survival was due to random chance. The dead were stacked as cords of wood, or piled into putrid heaps of burning flesh. That smell filled the air—burning flesh accompanied by the rotten stench of garbage and sewage—one could basically taste it in their mouths. You’d want to gag, you’d want to vomit, but couldn’t. The sights were worse—the kind of sights that made you wish you were blind. People were crushed by falling beams or killed outright by the blast—one could see the shadow of where they last stood. Those unfortunate enough to live through Armageddon but still sentenced to damnation were pitiful. Limbs were lost and people were blind. The skin hung off of them and for some, it was replaced with glass and wood.

Coming down the hill was hope. Hope was something no being could possibly have on that day, but there it was. One could see faint light—the sun—that caused a silhouette that could be seen even against the darkness the ash caused. There she was, unscathed save for torn clothing and the dirt that covered her body. She was holding something. She walked down the hill—or was it a pile—carefully, so as not to disturb what was in her arms—her child. As she moved toward the street, remaining careful, one could see the infant more closely.

Then one would realize, that in this new world, there was no place for hope: the baby she held so closely was dead.

Four Days an Infant

Four Days an Infant


You’ll probably think I’m crazy, I know I did. It has taken me more than a lifetime to make sense of my life. I’m dead you see, have been for forever and forever will be. You too should understand my life for my life was special, my life was revealing. I don’t expect you to understand fully, these things are hard to understand for the living, still I beg you to listen to my story.
Day 1
Nine months of warmth and darkness suddenly gave way to a blinding flash I still remember to this day. The world was cold. I remember wondering what was happening as I was forcibly lifted into the welcoming arms of the lady I would come to know as my mother. The initial flash of light had faded and I was beginning to notice shapes in the world, and oh my the colors. I hated them. The combination of color, light, and cold overwhelmed me and I am certain I began to cry. Don’t think me weak for I am certain anyone would have done the same in my place. Then the rocking started, it was gentle and rhythmic, I became obsessed with it. As I focused on the rhythm I couldn’t resist nodding off thus ending my first day on Earth
Day 2
I went home today, or at least I was home when I woke up. It was on this second day I began to see the world in a new way. The experiences I once found frightful and scary were growing to be exiting. It seems as though the colors I had perceived also had shape and texture. There is one thing I have found particularly pleasing and that was the cradle of arms I had faded away in the night before. I could spend the rest of my life in those arms.
Day 3
On this day I first encountered others. In the years I have spent musing over my life I stand by one conclusion. No one can hold a candle to the hold of my mother. My third day was a torrent of being picked up in passed around to the rough unfamiliar arms of what seemed and endless stream of strangers. Those minutes I spent distant to my mothers grasp remain some of my darkest memories. I had no idea that there were things so frightening hidden in this world. That they should appear unexpectedly and with such force almost makes me grateful that my life ended when it did. Every thing new in my life appeared with such ferocity I don’t know I could have endured it for years on end.
Day 4
This day still remains much a mystery to me. I had believed that perhaps I too might grow the size of my mother. Apparently my purpose was to be born, die, and understand. You see on this day I was confronted with a second blinding flash, this one much shorter than the first. And at once everything I had once experienced ceased to be anything at all. For all the time I have spent musing I can’t stop shaking the first thought I ever had. This world is cold.

One Man said to the Other

The heat is oppressive, as the scene opens onto two men who are obviously going to die lying on the steps of the First National Bank of Hiroshima. From their clothing and the fact that the building is on fire we can determine that this scene is one of post-atomic death. We listen in on the conversation between the two men…

“I don’t know if you’re going to even understand what I’m saying,” says the first man to the second. The first man is bleeding and is clearly going to die from blood loss, while the second man has a kind of glazed look in his eyes and is non-responsive. “Nonetheless,” continues the first man in labored Japanese “I am going to talk to you. There may not even be a point, because whatever I say to you is going to be different for you than it is for me. Every story I’ve ever told my children has been different from the words I use to tell the story. Each story has taken on a new meaning for them.”

As the roof of the bank collapses, the man continues: “I’m not even that important, it must be pretty uninspiring to be lying here next to an assistant sushi chef while you die. But I had big plans, you know. I was slowly saving up my money and I was at the bank today to get a loan approved so I could open up my own restaurant. It wouldn’t be the best place in Japan, but it might be the best in the city. My son would work there and manage the restaurant when I became to old to do anything other than make sushi. Doesn’t look like that’s going to happen does it?

“But you know what? I can’t even say that I don’t care any more, because I still do. I wonder if my wife and son survived. I wonder if our newly conceived child is going to have any kind of a life to live. I sit here and wonder what you are thinking, you don’t respond to me, but I can’t help but wonder what you’re thinking”

The two lapse into silence for a while as the first man fidgets. He tries to roll over, and we realized that his legs are pinned to the ground by a large chunk of concrete. The first man speaks again “why don’t you answer me? I’ve told you about my family, and you haven’t even given me your name. I guess anonymity in death is not the worst way to go, but you would think that you would at least have the courtesy to answer me you bastard. Why are you taking this from me? I just wanted one last conversation before I die, yes, one last conversation because we’re both going to die, you know. I’m no doctor but I’m starting to feel light headed from all this blood loss and you’re shirt is stained red from the blood.”

He falls into silence again as he tries to decide what he’s going to do about this hopeless situation. He struggles a little with the concrete and shifts it a little. The concrete the slowly slides down the steps, accompanied with the first man’s agonized screams, it is slowly tearing off his foot. Before the shock can set in, the man has started coughing blood and his food is lying five feet from him. He stares in complete disbelief. “How the fuck could this happen to me?” He asks, but receives no answer. Suddenly all of the pain and fear have acted as catalysts and he lunges for the other man. He’s on top of him, spitting on him and punching him over and over in the face. The other man doesn’t respond, he seems content to take the beating as a last insult.

The first man collapses on top of him and starts to sob, for it’s all over and he knows it. He tells the second man so and wonders aloud “why will you still not speak to me? I’m sorry, I shouldn’t have hurt you.” He checks the second man’s pulse and says what he knew he would have to say “Goodbye,” said one man to the other.

Irony in August

The irony that lies with winter coming in August.
Dead trees are the only things that could live through this
Snow drifts of ash overwhelming the summer heat
People lying down everywhere to escape the warm breeze.

What’s left but a dozen trees
A sky showing the past
A ground without a future
Darkness envelopes the earth as the moon rises.

These trees, so sturdy
Through a life of drought and solitude
Are the sole survivors living among the deceased
No people running of jumping
No people swinging and singing
This could have been a deserted island before
But we know it is now
Questions left unanswered.

Andrew Metcalf
Creative Narrative
4/26/2007

Preface
This narrative was inspired by a painting of the atomic bomb cloud. The painting is very serene, making the cloud look more peaceful and heavenly than destructive. My narrative tells the story of four different people as they hear about this event, each described in heavenly terms that the picture conveys. I have also placed their lives in certain “religious” roles, such as that of creator, destroyer, and the Christian doctrine of the trinity.

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People always ask if you remember where you were when a tragedy occurred, and the recipient usually can recall in extraordinarily salient detail.

I was in our kitchen. That morning, cereal had been poured, eaten, spilled, and cleaned; homework completed, backpacks packed, children sent off to school; dinner planned, gossip bantered, tv watched. Outside the sun beamed through clouds as they slowly rolled across the sky. All was well, and then the news man interrupted the refrigerator commercial to tell me that the U.S. had just dropped the atomic bomb.

I was at work on the line putting heads on plastic dolls. I was the head man, my right hand man was the arm man, and on my left was the leg man. But I was the head man; I put heads on the dolls. It was easy to put the heads on right. Any mistake and you just turn it ‘round after you push it on the neck n’ shoulders. It just so happens the leg man was my son before he went off to war. Anyways, sometimes the arm man just wasn’t enough, but me or the leg man would always fix things when he put the arms on the wrong shoulders. We tried tellin’ him a million times to try and make sure he put ‘em on the right way, but the man was like a ghost and our words seemed tuh go right through ‘em. Funny that arm man was…when he did talk it was something holy. And maybe that’s why I remember so good just how it happened. He walks into that old, dark factory, looks at me, and tells me that the U.S. had just dropped the atomic bomb before he went back to deformin’ brand new arms like he’s a dumb God or something.

I was at my desk, looking out my window to the south lawn. It was overcast, humid, sultry…but neither rainy nor sunny. A lot like Independence in the fall, a lot like that smaller white home where I lived before. Things had gotten a lot bigger since then, that was for sure. So I was just sitting there, thinking, when an aide walked in and said “Mr. President, the U.S. has just dropped the atomic bomb.” I took off my thick glasses, put my hand to my forehead, and thought about my life in purgatory after I sent a city to hell with a bomb from the heavens.

Having taken Japanese literature last semester, I’ve grown to like some forms of Japanese poetry. Everyone knows haiku, which are derived from tanka, an older form of poetry. The tanka follows the 5-7-5-7-7 pattern, with the last two lines usually leading elsewhere than the first three.

Cranes above her head,
Bandaged foot slung carelessly,
She reads intently.
Hiroshima recovers
In this one surviving child.

An alphabet book
One thousand cranes for wishing
Atomic ruins
What must they think of all this
These children lead confused lives

Buildings in ruins
Has it been days, weeks, months, years?
Yet she recovers
American book in hand
She learns English as wounds heal

December Trees

When I was younger, I lived in a candy room that I was always proud to invite my friends to. The furniture in the bedroom was all hard wood, stained a dark chocolate brown. My bureau had a large ornate mirror in the center of it, and my mother arranged a variety of pink knickknacks on its flat top. It had a little wooden chair whose dark chocolate back consisted of carved curliques and plush pink velvet, like the expensive raspberry creams my father bought my mother every year on their anniversary. I had a set of tarnished silver hairbrushes that came with a matching vanity, and I used to sit on that little chair, brushing my long black hair for hours on end. Sometimes my mother would come in and brush my hair for me, until it fell in a long black sheen down my back. Sometimes when she finished she’d braid it into one long, loose braid, or two tighter ones that hung down the front of my chest. I loved it when my mother took the time to do my hair that way, because it wasn’t often.

When I was 10 years old, I got the chicken pox in my candy room, and I lay in bed for a week with a fever that topped 100 degrees and left my fair skin flushed and clammy. My mother bought calamine lotion that came in a little green bottle, and each day gave me a cool bath before putting a tiny dot of pink lotion on each itchy bump I developed. For lunch that week as I stayed home from school, she always brought me soup in bed, a different kind each day, with dry crackers on the side. I inevitably spilled a bit of it on my pink and white bedspread, but I was too sick for her to get mad at. My little brothers would come in to gawk at my ailment, and my brother John, who was just learning to count, once came in with a pen to write a number next to each pink-smeared bump; my mother was not pleased with his counting game, however, and admonished us both that I might get ink poisoning. I had no idea what ink poisoning was, but always hated when my mother chided me, because she didn’t often do that either.

When I was 15, I came home from school to find my candy room dismantled. My mother stood disheveled beside my bed, pulling apart my sheets and blankets, throwing them in a heap on the floor. When I asked what she was doing, she glanced over at me with a crazed look in her eyes, telling me that the room was too childish now that I was an adult. I didn’t at all feel like an adult. I was a sophomore that year, and had a steady boyfriend named Jack whom I did nothing more with than peck on the cheek before my classes started, and who walked me home on Friday afternoons while holding my hand. I had the body of a woman, but was still very much a little girl who treasured her candy room with its tarnished vanity and memories of my mother brushing my hair. My mother, I realized with a start as she collected my treasures from my desk and threw them into a large black garbage bag, had herself been 15 when the atomic bomb was dropped over Hiroshima, her hometown.

I remember pleading with my mother to let me keep my vanity and my hairbrushes. I didn’t understand why she was simply disposing of the music box I’d been given by my paternal grandfather when I was born. It still worked perfectly, and played “Somewhere Over the Rainbow,” when you wound it. I’d spent hours winding its thin little handle and singing the words to the song along to the stilted melody the music box produced. I watched as she gathered my sheets and blankets into a wadded heap, and picked them up all at once. They seemed to engulf her tiny frame as she waddled over to the balcony of the staircase and threw my bedding over the banister and onto the floor of our living room, where they landed with a rush of air and a swirl of dust.

“Come on, Debbie. We’re going to the store to buy you some new bedding,” she said to me as she descended our spiral staircase, her hair looking frazzled and slightly damp with the exertion it took to dismantle the room I’d kept neatly organized for 15 years. I just stared at her. I went back to my room, sat in my velvet candy chair, and stared at my face in the mirror, imagining what it must have been like for her, with a face as old as mine, facing the tragedies she’d seen. I couldn’t imagine it, and I couldn’t forgive her for what I imagined was her effort to make me understand the pain she’d gone through.

When my son Julian got the chicken pox from a little girl who attended his 5th birthday party, I’d suddenly recalled my own bout with the illness, a period I’d completely forgotten. Much about raising Julian had reminded me of my childhood, but I’d just as quickly pushed most of those memories away. I bought calamine lotion for Julian the same way my mother had for me, and then he and I spent hours numbering his pox with non-toxic markers, laughing and turning those that were close together into tiny funny faces. When he was 7, Julian awoke in the middle of the night, drenched in sweat, screaming incoherently. When I got to him, he was sitting upright in his bed, babbling to me about the monsters he’d seen in his dream. His breath came in quick, ragged gasps and his words were strangled as he tried to convey the horror of his nightmare to me.

“They were trying to get you, Mommy,” he’d said, and then hiccupped. “They wanted to get Daddy too, and I couldn’t save you! I couldn’t! They were going to get you, they were chasing you!” He sat there gasping as tears rolled down his cheeks. I remembered hysteria then, and marveled that I’d ever been able to forget it in the first place. My mother had often had similar dreams, although not about monsters. The hysteria, however, was identical.

My mother married late, or at least comparatively late for her generation. She’d moved with her sister and brother to the United States when she was 20, all of them determined to learn the language and get good jobs. My mother was a secretary for a while, and then became a teacher. Prejudice persisted in the United States against those of Japanese heritage, and she began to research Hawaii, deciding that maybe the move there would make her feel closer to home. She relocated to Maui and met my father, who was a fellow teacher. I was born in Maui, and then my mother and father moved to Nebraska, where her siblings had settled. She said she’d wanted me to have aunts and uncles and a sense of roots that she didn’t think Hawaii could afford me. I always wondered how she could leave Hawaii’s sun-drenched beaches for Nebraska’s stark landscape and biting winters, but she never complained. I surmised later that she wasn’t happy there after all, and wasn’t worried about me so much as she just wanted a change, and to be near people who could support her if she faltered.

My mother faltered often. She went through spells of what she called “melancholy.” I didn’t know what melancholy meant until I was in high school, and when I finally understood what my mother had meant when she’d said all those years that she was having a “melancholy spell,” I could almost feel my heart physically wrench in my chest. When my mother was having one of her spells, I became responsible for making dinners, packing lunches, cleaning, and doing the laundry. My mother stopped working when my brothers and I were born, and my father was forced to work two jobs. By day, he was Mr. Irogama, beloved teacher at Eisenhower Elementary School, and by night he was Yamoto, serving cold bottles of beer, and drinks on the rocks, to the neighborhood fathers at McGinley’s bar. He always came home spelling of whiskey, his drink of choice, and stale cigarette smoke.

I learned early how to manage a household. When one of my little brothers got a good grade on a test or scraped his knee and needed hydrogen peroxide and a bandage, he came to me. My mother didn’t see the daily hassles of our family, only the serious problems and celebrations. She spent most of every day in bed, but she was there for every birthday as we blew out candles and took pictures. She was there when my father couldn’t pay the electric bill and we didn’t have electricity for four days, helping us to use matches to light candles. She was there when John broke his leg climbing the maple tree in the backyard, and drove us to the emergency room. She stayed in the waiting room while I went with my brother to have his leg set and plastered into a cast. I taught him later how to use his crutches. They were loaner crutches and my mother drove them back to the hospital when John got his cast off.

The younger I was, the more I accepted her behavior. The older I got, the more it puzzled and angered me. My friends’ mothers were taking them shopping for bell bottoms and new cars on their 16th birthdays. My mother was admonishing me that I wasn’t growing up quickly enough. She told me repeatedly that I didn’t know what true suffering was, and that I should be grateful that my father provided for me. At 16, she often reminded me, she was working in a suburb of Hiroshima, making barely enough to feed herself, while simultaneously caring for her younger siblings. I found it ironic that she mentioned this: she hadn’t worked since the day I was born, while I spent all my free time envying my friends for their “normal” mothers, and making sure my brothers stayed out of trouble.

When Julian had his nightmare about family-chasing monsters, I suddenly remembered the many nights I’d stayed awake, just to watch my mother sleep and count the rises and falls of her thin chest. When she awoke screaming, my father was always miles away, tending bar in the center of town. I feared that my brothers would hear our mother’s screams, and did everything in my power to protect them from that side of her. I’d rush to her room to find her sitting wild-eyed in the center of my parents’ queen-size bed, and I’d sit next to her and reach for her hand. At first, she’d always fight me. Most of the time she’d still be dreaming, and she’d speak of how my skin was melting, or ask what was wrong with my eyes. Sometimes she thought I was her mother, and she’d inquire after her siblings, her father, or her old neighbors. When she snapped out of her wild phase, she’d sit there gulping for air like a fish out of water, her eyes wide and glassy. She’d use one hand to push her damp hair back from her face, and would rest the other hand on her neck, letting it slide down until it rested just above her breasts.

When I was 18, my mother had her last nightmare. I rushed in as usual, and she looked at me, horrified, and told me that I was badly burned. She wanted to know where her siblings where, and complained that something had fallen on her head and she thought it was bleeding. She began screaming that we had to leave before the fire got any closer, frantically pointing toward her bedroom windows as though they were themselves ablaze. The wild look faded slowly, as it always did, and when it was gone there was only a blank staring, as she realized I was not her mother, but her daughter.

“Oh, Debbie, honey. I’m so sorry. I can’t help these nightmares. I just…” She choked on the ending to her sentence.

“I just can’t do this anymore,” she said, and began to sob. She put her head in her hands in such a way that I was sure her head would roll off her neck if she took her palms away from her face. Sobs wracked her body. I pitied the woman sitting in front of me, who was in such obvious pain. Suddenly, however, I could not pity her. Anger leapt into my chest, hot and bright like the fire of my mother’s nightmares, and I felt adrenaline spurting into my veins, making my heart beat hard against my chest plate. This woman in front of me was just a woman, not my mother. She’d never been nurturing; she’d never been able to be nurturing. She’d stolen my childhood from me because she was too weak to keep herself together. She’d missed out on a real life because she couldn’t just accept things and move on. She’d ruined a lot of things for both of us, and for no reason other than that she was too selfish to think of anyone but herself, and of anything but the past.

“You know, Mom,” I said, “it happened. We all know it happened. Why can’t you let it go? Why can’t you just be fucking normal, and get out of bed once in a while to take care of your children? We didn’t ask you to bring us into this world, but you did it anyway and then decided that you didn’t care anymore. Do you think I like taking care of John and Alex like they’re my own sons? I’m 18. I don’t have any children. But I’m sure as hell taking care of yours, and have been for years! Do you think I like coming in here and having to comfort you, when you were never there to comfort any of us? Do you think it’s appropriate that you dream that I’m your mother? Do you? Do you? Fucking answer me, Mom!” I screamed.

I realized, when I finished my tirade, that I’d been screaming loudly. My younger brothers were standing in the hallway, peeking through the crack of the open door. I glared at them and ordered them to get back to their rooms and stay there. They fled, and I turned back to face my mother.

My mother just looked at me, her almond-shaped eyes dark and foreboding, glistening in the dim light that streamed in through windows from the streetlights. Her cheeks were flushed from the nightmare and sticky with tears. She stared at me for what seemed like forever, and then turned her head away slowly to stare out the window at the bare branches of the trees that lined our street. It was December, a few days before Christmas, and the wind gave a desolate howl as she slowly lowered herself back onto her pillow and turned her back on me.

I left her room then, and when I went in to apologize to her in the morning, she wasn’t lying in bed. I checked the bathroom and the room my brothers shared before I went downstairs to check the kitchen, the living room, my father’s study, and the downstairs bathroom. We had a wooden patio with a sliding door and I expected to see her sitting outside, maybe smoking a cigarette on a lawn chair, her breath coming in foggy puffs.

Instead, I saw her lying in the grass under the maple tree that John fell out of the time he broke his leg. My father’s hunting rifle was at her side, and her blood had pooled next to her and begun to run slightly toward the tree behind her. Even from my vantage point, I could see that her lips were blue and lifeless.
I sunk into the lawn chair next to me, and put my head in my hands the way I’d seen my mother do the night before. And then I screamed.